Occasional interludes
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Productions

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Looking back

I read a good piece this morning from Cory Doctorow who has been blogging every day for what seems like the beginning of blog-time well, 20 years anyway. Here’s Cory’s post about what he does – full of amazing information about how he does it, and why. One thing that caught my eye was his

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Directing at a (safe) distance: MACBETH IN THE DARK

Some months ago, I watched David Berthold interview the great director Peter Sellars. Among other things, Sellars noted the possible upsides of the pandemic. “There’s an upside?” I wondered. But Sellars said something which I’ve kept front and centre in my thinking for the past almost 6 months: “The virus is our teacher.”  Those five

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In Performance: the new routine

Monday – a day when most shows are ‘dark’ for a day off. It marks the end of the 8-shows a week into Week 2 of our season. Routines have changed from the day-long, week-day intensives of rehearsal and production week to the rhythms of a night-shift worker.

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A Valentine for the Audience

A Valentine for the Audience

Since it’s the day to celebrate all things about love, I want to send a Valentine to our audiences. QUARTET’s have been notable for the warm response from every single house. Over the years, I’ve marvelled at how different each audience is. The latest are no exception.

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A Tribute to Carol Burns

A Tribute to Carol Burns

Last night there was a gathering at the Playhouse Theatre to honour the memory of a great member of the artistic community. I was one of many who spoke of Carol’s life in the theatre, and of our friendship which began as young actors in the founding years of Queensland Theatre Company. This is what

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Enter the final cast member: Previews and Opening Night Performance

Enter the final cast member: Previews and Opening Night Performance

It’s often said that the play is not complete until the house is ‘in.’ Saturday night – Preview 1 of 4, and the first audience arrives to test our waters. We are very ready for them – craving them; comedy especially needs the feedback of laughter to assist the tempo and attack of playing. The very ‘liveness’

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Week 6: Tech, dress, and finger tingles

Where do I begin … So much has happened since the time, earlier this week, when I wrote about leaving the safety and comfort of our rehearsal room. It’s involved the scary but necessary transitioning of an organism – the living, breathing, moving play – into a new space. In fact, it’s an evolution of sorts. And

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