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Emerging … again

Emerging … again

As months go, March was rather special. It marked the ending of a significant period in my life’s adventures. I ended my tenure as Chairman of the Board at Queensland Theatre Company. Despite one or two little pangs, it felt absolutely right to be going now after nearly 8 years in the job and two

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Hold the slings and arrows: stocktaking Queensland theatre (Act 2)

My last post here investigated the first 10 seasons of Queensland Theatre Company between 1970 and 1979.  This post looks at the plays from the past 10 seasons.  I’ve used the same breakdown in assessing the repertoire, i.e., organised my siftings using assigned historical and geographical categories: UK/Ireland; Australian; US; Other.  Plays can find themselves

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Hold the slings and arrows: stocktaking Queensland theatre (Act 1)

If you subscribe to theatre-related blogs, then your feed-reader during the past week or so will be overflowing with posts where the words ‘Outrageous Fortune’ will almost certainly appear.  It’s the title of a new book on the state of American playwrighting, and it’s getting the best kind of publicity on the web – the

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Footnotes to my year in theatre – 2009

The theatre and I have had a love affair for many years now; my Actors Equity membership card notes 13 March 1973 as my joining date, but that is just the marker of when it became a day job for real; the affair began long before then.  During this – my first, official year of

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Magical Performance

Earlier this year I wrote in praise of (Much) Older Women Artists. Yesterday afternoon I saw Robyn Nevin‘s performance in The Year of Magical Thinking, directed by Cate Blanchett for Queensland Theatre Company.  Her performance in this play, a monodrama adapted from Joan Didion‘s novel, is as truthful, vulnerable, and as moving as its subject matter.

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A performance that lights up its production: A Streetcar Named Desire

It’s a cold, windy night in Hickson Street as the capacity audience spills out from a performance of A Streetcar Named Desire directed by Liv Ullman for Sydney Theatre Company.  My friend and I want to find a café and a drink, somewhere to escape the wind, and to debrief the past 3 + hours. 

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