Occasional interludes
Category

Voice and Text

Category

Finding the Voice a Book Deserves: getting started with audiobook narration

Finding the Voice a Book Deserves: getting started with audiobook narration

Out of the booth I often find myself listening to other actor’s voices rather than to what they’re saying – a professional hazard for a narrator and voice coach, I suppose. As I do this, I invariably form an image in my mind of what the actor looks like. Usually if I meet them afterwards

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Lines-learning just got cooler: another tool for iPhone toting actors

  I’m not all that keen on the name of this handy little iPhone app: ‘Hollywood Helper – Broadway Buddy’ – yuk!   ‘Lines Coach’ is plain, but it might well have served for an application that helps you to learn lines without your script, and which also understands how most actors work with pencil

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Magical Performance

Earlier this year I wrote in praise of (Much) Older Women Artists. Yesterday afternoon I saw Robyn Nevin‘s performance in The Year of Magical Thinking, directed by Cate Blanchett for Queensland Theatre Company.  Her performance in this play, a monodrama adapted from Joan Didion‘s novel, is as truthful, vulnerable, and as moving as its subject matter.

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Tools for iPhone-Toting Actors

When the first generation iPod came out in 2001, I immediately saw its potential as a tool for learning in Higher Ed, and especially in my field, theatre. I was one of the first, via a loaner from AUC (Apple University Consortium in Australia) to take it for a test drive and report on the

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Life snippets: a collector’s tale

I’ve been collecting snippets of my life for years. I guess I am a confirmed diarist at heart, although the collection process is random and not nearly as organised as it might be. I’ve had a camera since I was 11 years old – a Box Brownie as I recall – and have been collecting

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Accent or Dialect?

An interesting blog post on OurBrisbane.com today – it’s a performing arts blog run by Brisbane playwright Katherine Lyall-Watson – caught my attention.  It had me reaching for the keyboard; it was about one of my favourite topics, something I’ve been dealing with for years – voice training, specifically dialect and accent work for performance. 

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