Occasional interludes
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Acting Notes

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Finding the Voice a Book Deserves: getting started with audiobook narration

Finding the Voice a Book Deserves: getting started with audiobook narration

Out of the booth I often find myself listening to other actor’s voices rather than to what they’re saying – a professional hazard for a narrator and voice coach, I suppose. As I do this, I invariably form an image in my mind of what the actor looks like. Usually if I meet them afterwards

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So You Want to be an Actor? We still have a problem.

So You Want to be an Actor? We still have a problem.

Every now and then, and this has happened for decades since I’ve been an actor and in the actor-training game, someone tells me they’re thinking of becoming an actor too. It usually comes with a hopeful look and the slightest wince, as if they’re waiting for me to deliver bad news gently. And yes, the

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Working on text – the early phase of rehearsal

Upfront – this is an out of the archive post reworked a year or so on. If you’re a regular here you may have already read my rehearsal and performance blog posts for the Empire Theatre’s 2008 production of Cabaret directed by Lewis Jones.  I played the role of Fraulein Schneider. You can find these

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Ben Kingsley: ‘We do our best work when we are happy.’

I couldn’t resist posting Charlie Rose’s recent conversation with Ben Kingsley … for a couple of reasons. Firstly Sir Ben talks about the nuts and bolts differerences between stage and screen acting … something we all like to sift through. But in the second part of the conversation, he opens up in quite an extraordinary

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So you want to be an actor? We have a problem

A year ago I wrote about American scholar and practitioner Robert Hornby’s ‘The End of Acting’. It’s a book that has a strong point of view about the art of acting and the education of artists.  I’ve enjoyed dipping back into it since a first reading in 1993.  That an actor needs training is, from

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More on that ‘moment’ we’re supposed to be in …

I’ve written before about one of those phrases tossed round by acting folk: being in the moment. I recall the brilliant Dawn French using it in that sweet comedy series The Vicar of Dibley. ‘Geraldine’ was directing the parish’s nativity play. She’d dropped her vicarly garb, and was dressed in requisite directorial kit. All was

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Photo shoot, make-up and corsets!

photo credit: fluzwup A night off from rehearsals but valuable nonetheless; the cast were called for the program photo shoot. It was a chance for us to see one another for the first time in costume, and to realise how powerful a role the element of body adornment plays in visual story-telling. Body-masking is the

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