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Brisbane: Wanted – a cultural reality check

I heard a great interview this morning on ABC612 Brisbane with Sam Strong, the ‘newish’ (since last November) Artistic Director of Queensland Theatre Company. Among other things, Sam sketched out some of his ideas to make QTC a national theatre leader. Anyway, it was exciting and refreshing to hear Sam hint at his plans and talk up his

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Twitter: to follow or not to follow? That is the question.

Like many who use social networking software to engage in conversation, I’d characterise myself as a heavy Twitter-user.  And the more I use Twitter, the more followers I get; it’s the nature of viral communication.  I’m now followed by 1400 + people – small beans compared with some.  Now, I follow some who don’t follow

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Happy Birthday Queensland Theatre Company: 40 years on

Queensland Theatre Company today marks the 40th anniversary of its being signed into existence … literally … by an Act of Parliament: the Queensland Theatre Company Act (1970).  It remains unique in Australia in this regard, and is one of a handful of arts Statutory Authorities in the state.  Perhaps this is indicative of the

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Indie Theatre: how can you tell?

Icons, branding, labels … the medium as message, but what’s the message or meaning when it comes to theatre labels?  There are lots around, and I’m curious about one in particular – independent. I see it and its diminutive and the very buzzy word indie everywhere.  I’m sufficiently that way inclined – too much of

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Quote of the Day: 3D Is Going to Ruin Movies For a Long Time to Come

Read the whole piece … a review of Tim Burton’s Alice in Wonderland.  Interesting how for this reviewer and, let’s face it, for most of us that it’s the story that matters in the end … Such is the problem with 3D. It is so mind-numbingly amazing that narrative storytelling hasn’t caught up with the

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Arts Education – what should we teach and how?

There’s a Twitter discussion happening right now hashtagged #artsed .  The hashtag acts as a search key for tweets that have anything to do with arts education, but this particular thread of the discussion is focussing on the issue of professional training for artists – more particularly theatre artists, and especially actors.  The originating posts

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From Custodian to Curator – the challenge for the digital age

I was a conference delegate last month at the Apple University Consortium’s 2009 Create World Conference.  Justin Macdonnell, a keynote presenter put some nicely provocative issues to the floor of digital arts creatives and creative arts academics gathered at Griffith University in Brisbane. Justin’s keynote, ‘In the Absence of Criticism’ revolved around a couple of

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Hold the slings and arrows: stocktaking Queensland theatre (Act 2)

My last post here investigated the first 10 seasons of Queensland Theatre Company between 1970 and 1979.  This post looks at the plays from the past 10 seasons.  I’ve used the same breakdown in assessing the repertoire, i.e., organised my siftings using assigned historical and geographical categories: UK/Ireland; Australian; US; Other.  Plays can find themselves

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Hold the slings and arrows: stocktaking Queensland theatre (Act 1)

If you subscribe to theatre-related blogs, then your feed-reader during the past week or so will be overflowing with posts where the words ‘Outrageous Fortune’ will almost certainly appear.  It’s the title of a new book on the state of American playwrighting, and it’s getting the best kind of publicity on the web – the

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