Occasional interludes
Marginalia: a blog

Travel, life, theatre, stuff ...

Marginalia: a blog

Quote of the Day: 3D Is Going to Ruin Movies For a Long Time to Come

Read the whole piece … a review of Tim Burton’s Alice in Wonderland.  Interesting how for this reviewer and, let’s face it, for most of us that it’s the story that matters in the end … Such is the problem with 3D. It is so mind-numbingly amazing that narrative storytelling hasn’t caught up with the

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Arts Education – what should we teach and how?

There’s a Twitter discussion happening right now hashtagged #artsed .  The hashtag acts as a search key for tweets that have anything to do with arts education, but this particular thread of the discussion is focussing on the issue of professional training for artists – more particularly theatre artists, and especially actors.  The originating posts

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Tribal Markings: hashtags

I found myself explaining the purpose of hashtags this morning on my Facebook page.  I’d posted to my news feed about a livestreaming event happening later in the day, with a reminder that hashtagging it would enable the conversation to be tracked.  Someone asked what a hashtag was.  Oh, how easily we forget that not

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Lines-learning just got cooler: another tool for iPhone toting actors

  I’m not all that keen on the name of this handy little iPhone app: ‘Hollywood Helper – Broadway Buddy’ – yuk!   ‘Lines Coach’ is plain, but it might well have served for an application that helps you to learn lines without your script, and which also understands how most actors work with pencil

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Group or Page: What’s best on Facebook for an arts company?

Image by See-ming Lee ??? SML via Flickr I’ve been a fan for a long time of the blog/website as the hub of an individual’s or a group’s digital world.  Couple a blog with various outlier social networking applications like Twitter, Facebook, Flickr and so on, and you expand your outreach.  Not everyone uses social

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From Custodian to Curator – the challenge for the digital age

I was a conference delegate last month at the Apple University Consortium’s 2009 Create World Conference.  Justin Macdonnell, a keynote presenter put some nicely provocative issues to the floor of digital arts creatives and creative arts academics gathered at Griffith University in Brisbane. Justin’s keynote, ‘In the Absence of Criticism’ revolved around a couple of

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Hold the slings and arrows: stocktaking Queensland theatre (Act 2)

My last post here investigated the first 10 seasons of Queensland Theatre Company between 1970 and 1979.  This post looks at the plays from the past 10 seasons.  I’ve used the same breakdown in assessing the repertoire, i.e., organised my siftings using assigned historical and geographical categories: UK/Ireland; Australian; US; Other.  Plays can find themselves

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