Occasional interludes
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Actors and Acting

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Overused acting notes #3: I Can’t Hear You

If there were $$s for every time this note were given in rehearsal, there’d be a pot o’ cash worth fighting for. Not being heard can relate to so many problems: insecurity over lines and their meaning, a lack of self-confidence, through to poor technique … breath support and sloppy articulation being two of the

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Creativity, imagination … musings

I was asked by some students recently how, or whether I exercised my own imagination. We had been talking about the ‘most important muscle’, and about keeping it limber. This conversation must have stuck with at least one of the class members, who emailed me a week back wanting to know how to keep working

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Overused acting notes #2: Centre Yourself!

Image by Guy Fawkes via Flickr In this jargon-ridden acting business, the notion of ‘centre-ing’ is one that gets a daily work over in most classes and on the rehearsal room floor. I wonder what most actors make of this instruction by well-meaning directors, teachers, coaches? I’ve found it means different things to different people,

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Overused acting notes #1: Being in the Moment

If there’s one phrase that an actor can get tired of, it’s that old favourite ‘being in the moment.’ I count myself as one who finds it tedious. It doesn’t mean I shouldn’t pay attention to it, or that it isn’t relevant … a lot of the notes I’ve given and received have been about

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‘Theatre artist?’

I’m hearing the term ‘artist’ bandied around a lot lately. Maybe it’s a bit of strutting, maybe not. Maybe it’s just time actors claimed the title, and admitted egolessly to being exactly that. The word ‘actor’ works for me, but so also does ‘artist’ when it’s used by someone who’s talented, experienced, and who’s paid

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