Occasional interludes
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Actors and Acting

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A Tribute to Carol Burns

A Tribute to Carol Burns

Last night there was a gathering at the Playhouse Theatre to honour the memory of a great member of the artistic community. I was one of many who spoke of Carol’s life in the theatre, and of our friendship which began as young actors in the founding years of Queensland Theatre Company. This is what

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Enter the final cast member: Previews and Opening Night Performance

Enter the final cast member: Previews and Opening Night Performance

It’s often said that the play is not complete until the house is ‘in.’ Saturday night – Preview 1 of 4, and the first audience arrives to test our waters. We are very ready for them – craving them; comedy especially needs the feedback of laughter to assist the tempo and attack of playing. The very ‘liveness’

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Week 6: Tech, dress, and finger tingles

Where do I begin … So much has happened since the time, earlier this week, when I wrote about leaving the safety and comfort of our rehearsal room. It’s involved the scary but necessary transitioning of an organism – the living, breathing, moving play – into a new space. In fact, it’s an evolution of sorts. And

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Week 4 – the gears are clicking

Waking early today into the light in the sky. It’s high summer and my diurnal rhythms seem to be in sync with the bigger picture. Eyes open, into awareness, and the low-level adrenaline that’s come to be part of my life, kicks into play. I’m grateful for a day off for the light domestic duties, a spot of gardening, and

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Week 3: the play’s the thing!

This post is a reflection on my own sense of the ‘job’ as actor this week. The clarity of purpose behind our weekly and daily schedules keeps us all focussed and humming forward together – kudos to our director Andrea Moor and Stage Manager Peter Sutherland. For those of us inside Rehearsal Room One, the days seem fuelled by performance adrenaline; it’s probably why I’m so

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Routine

Rehearsal days are flying by – we’re nearing the end of Week 2 – and the work on the floor this week, blocking scenes and interrogating action through character, is intense and tiring. This is where the richness of a text becomes apparent, but it takes its toll. The tiredness only becomes apparent at day’s end when,

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Tosca’s Kiss

Week 2 begins with no calls in the rehearsal room for me today. Work on the role doesn’t stop, of course; there’s homework to do – always homework when becoming absorbed in preparing a performance. This afternoon I watched an extraordinarily moving documentary on Casa di Riposa – a home in Milan – endowed by the great

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