A delightful little movie blooper reel out of the 1936 movie archives. Nothing much changes … not even the way actors react to a lines breakdown. Enjoy!
An image a day is the goal. I didn’t make it as planned, but here are some of the best most evocative memory captures for 2009 in this, the 109th and ultimate blog post of the year for Groundling. See you on the other side!
I stumbled across this one today – one from the TED Talks series and recorded this year.
It’s Natasha Tsakos talking briefly about the relationship between theatre and technology, and performing excerpts from her solo multimedia show ‘Upwake.’ Enjoy; it’s terrific and inspiring.
Given the conflicting points of view on the YouTube commentary on this video, I’m interested to hear the reaction from ‘middle-class’ actors in the US on the implications of the AFTRA ‘deal’ struck with the film industry. As an Australian-based actor I can’t but feel that these issues will arrive onshore pretty darn quickly down here.
Given that most see the arrival of web-based entertainment in a big way over the next few years, what are the unions – SAG doing to assist their membership? What does this AFTRA deal really mean?
I couldn’t resist posting Charlie Rose’s recent conversation with Ben Kingsley … for a couple of reasons. Firstly Sir Ben talks about the nuts and bolts differerences between stage and screen acting … something we all like to sift through. But in the second part of the conversation, he opens up in quite an extraordinary personal way, providing an intelligent and insightful glimpse of how he works as an actor.
It proves to me, if I needed to be convinced, of what I reckon is the secret ingredient in good performances – the emotional and intellectual intelligence of the actor in the role.
I can thoroughly recommend Alan Bennett at the BBC which is currently available from Audible.com or the iTunes store. I’ve just finished listening to the inimitable Mr Bennett reading what is a miscellany of his work from the past 30 or so years, and all via the BBC. By the way I very much also enjoyed his reading of The Uncommon which is all about HM the Queen’s discovery of the joys of books and reading. It’s a wonderfully witty little piece of fiction, and the reading is made all the more enjoyable by Bennett’s own droll performance style. He’s got a great line in character voices.
With Alan Bennett at the BBC, we get pieces which range from anecdotes during interviews, pieces from his radio plays and television productions, diary entries and commentary on family, friends, and people he’s worked with; his portrait of Peter Cook, a colleague from Beyond the Fringe is especially moving.
I love Bennett’s work as actor and writer. He is a most English playwright whose brilliance lies in an ability to capture the poignancy and detail of the ordinary lives of his characters. His wonderful series called Talking Heads must be one of the finest collection of extended monologues ever written for actors. They are funny, achingly sad, wise … the whole box and dice that make up a good piece of actorly text. Talking Heads was written for the stage and filmed for television, and if you don’t know it, then treat yourself and do something about getting access now. You’ll see Bennett at work in Talking Heads in a piece called A Chip in the Sugar. You’d be hard pressed to pick a favourite, but I still vividly recall Maggie Smith as the alcoholic vicar’s wife who found companionship and love with an Indian grocer in the extraordinary Bed Among the Lentils. Bennett like Chekhov, writes plays which bob and weave their way between comedy and tragedy, wrong-footing their audiences at every turn, and the adroit Maggie Smith was perfectly cast in the role.
Anyhow … Bennett can time a punch line to perfection. He tells a slew of jokes in Alan Bennett at the BBC … many of which are self-deprecating. However there’s one which is particularly pertinent which concerns the late Harold Pinter. We’ve all be appropriately reverential toward the great man and his memory of late, so it was a bit of a relief then to hear Bennett tell a Pinter joke. On the occasion of Pinter’s 50th birthday, Bennett recalled being asked by someone from the BBC for an appropriate way to mark the occasion. He says he couldn’t think of anything at the time. Only after he’d put the phone down did he think of suggesting, ‘… perhaps 2 minutes’ silence?’ Delightful.