Happy Birthday Queensland Theatre Company: 40 years on

Queensland Theatre Company today marks the 40th anniversary of its being signed into existence … literally … by an Act of Parliament: the Queensland Theatre Company Act (1970).  It remains unique in Australia in this regard, and is one of a handful of arts Statutory Authorities in the state.  Perhaps this is indicative of the importance that a state government decades ago placed upon the theatre.  The state government through the Minister for the Arts (currently also the Premier Anna Bligh) is the major financial supporter of the state theatre company, contributing 80% of all government funding revenue to the Company’s budget.  The Federal government through the Australia Council provides the remaining 20% from government.

Queensland Theatre Company has had 5 Directors in those 40 years: the late Alan Edwards (MBE AM); Aubrey Mellor (OAM); Chris Johnson; Robyn Nevin (AM), and currently Michael Gow, who will step down in August this year to concentrate on his career as one of Australia’s leading playwrights.

My association with the Company began 2 years after its founding.  I joined for the 1972 Theatre in Education Season; my first job was playing an emu in The Badly Behaved Bunyip by Michael Boddy, alongside Grant Dodwell and Steven Tandy (that’s us in the picture above).  I then worked consistently as an actor, sometime director and writer as well as workshop tutor with Queensland Theatre Company until the end of 1977.  I have been involved with the Company in one way or another for nearly 40 years, and am today the Chairman of the Board.  It’s been an interesting ride!

Happy Birthday Queensland Theatre Company, thanks for the memories, and here’s to many more, robust years to come!

A couple of months ago, I did an interview with Ian Kath for his Your Story podcast.  Here is a brief extract from that interview about my early memories of Queensland Theatre Company.

Magical Performance

Earlier this year I wrote in praise of (Much) Older Women Artists, and did a little podcast just after the Tony Awards in June.

This post adds to my ongoing hommages of women who inspire.

Yesterday afternoon I saw Robyn Nevin‘s performance in The Year of Magical Thinking, directed by Cate Blanchett for Queensland Theatre Company.  Her performance in this play, a monodrama adapted from Joan Didion‘s novel, is as truthful, vulnerable, and as moving as its subject matter. It serves as a portrait of the artist at the height of her powers. Didion, Nevin, and Blanchett are quite a trio. Brava!