Cinematic Theatre. Marwell Presents (Steven Maxwell and Brad Jennings) talk about their productions and the conventions used in what they call ‘cinematic theatre’ or the blending of live action and video.
Using iWeb as a tool for e-portfolios. Jenny Mundey talks about the way pre-professionals in training can prepare their portfolios to show their ability to reflect upon their professions-to be.
There’s the whiff of conferences in the air right now. Monday starts the 3rd annual AUC (Apple University Consortium) Create World Conference at Griffith University in Brisbane. I’ll be working with a team of podcasters headed by Alan Carrington from the University of Adelaide. We will be gathering comment not just from presenters and performers, but from everyone there. We’ll edit and produce episodes daily and beam them out, so stay tuned for contact details. If you’re interested in some up to date, cool reporting from Create World and keen to contribute, your comments would of course, be most welcome.
Create World is a conference designed to bring together higher ed creative types … performers, composers, film-makers, games designers, visual artists and musicians … all using (mostly) Apple digital technology. I’m tipping there will be a slew of iPhones, MacBook Pros and Airs on display in the auditoriums this year; last year the few iPhones seen were largely in stealth mode … the iPhone hadn’t officially arrived in Oz.
One of the delights of academe is getting to create great titles and sub-titles for papers and conferences. This one is no exception: The Art of Serious Play; the Serious Art of Play – Curiosity, Creativity, Craft and Connectedness in the Digital Age. Phew! Anyhow, the week’s programme of workshops, keynotes, performances, and presentations look to be stimulating and FUN. You can check them out on the conference webpage.
I’ll be gathering the rest of the news that’s fit to print, and most probably sending out updates on Twitter @Dramagirl. How could I not; Twitter is the cool new kid on the block at conferences. And to think a year ago at this same conference I went public in saying I didn’t see much value in it. We hadn’t even invented hashtags at that time. Ah well.
You can find the Create World podcast blog here. All sessions should be uploaded by December 20. Do drop by, listen to the follow-up commentary from presenter and audience and leave a text or voice comment.
So I went for a virtual walk through the online Timeframe video-art exhibition currently showing on Seesmic, and what did I find?
Well for a start, fascinating pieces that are clearly the beginnings of something other than the ‘funniest video’ type format usually found on YouTube, and which … you can bet your bottom dollar … are then virally transmitted around the web. Timeframe’s videos (at their best when confined to a minute or two) are clearly ‘arty’ with a perspective that frames them within the ‘take me seriously’ category. Some are derivative, playing with the medium itself, grabbing images from computer games and resassembling them into a game-free context. They’re little dynamic, colourful beauties which do indeed hark back to the punchy rhythms of online gaming.
Then there are the personal statements, tiny stories that play with time and perception … blurry, out of focus images moving in slow motion force the viewer to delve deeper into the representation. Cuts and pastes of an evening with an artist and a bottle of booze and pills have their own realist tension. More abstracted and dislocated images are coupled with soundtracks that blend the human voice, breath, sound effects and music … these can be eerily and compellingly disturbing or hilarious in turn.
The artists appear from time to time to interact with the viewers … the viewers interact with one another, a glass or two of wine is shared (screens are clinked for the ‘cheers’) and all in all it’s quite a jolly, non confronting experience … and an exciting one. We’re in at the start of what I have no doubt will be a new way of creating and showing work locally and globally.
Organiser and artist Christi Neilsen deserves kudos for getting this show together, as do the 10 artists who have gone public in a big way with this seminal exhibition. It all ends today but of course, will remain in the Seesmic timeline for a revisit.
I posted two days ago about Christi Nielsen and her innovative art show called TimeFrame which has just opened using the Seesmic video platform. TimeFrame will be showing for the next 72 hours or so.
Here’s the thread which will continue to update as the hours roll by. Check in and join in if you feel inclined. Just hit the reply button. Timeframe has been designed so that viwers can talk with the artists and others who stop by. I’d advise your viewing Christi’s first post which lays out the parameters of the show.
I’m going to drop in and out and comment if it’s appropriate and probably drink a little wine … later on! Why don’t you join us.
Now here’s something to lok out for this coming weekend. LA-based artist Christi Nielsen has organised a virtual art-show on the video platform Seesmic. The interactive nature of the platform means the 10 artists and who knows how many viewers, will be able to view and comment on the varied artworks and the comments themselves. Should be a lively affair with the potential not only to spawn further virtual exhibitions, but also to extend the art-talk to perception and accessibility, privilege etc. What the art will look like and the experience feel like is what the experiment, in part, is all about. You can get more on this here at Christi’s site
Drop by from Thursday 25 September PST (and for we Australians, that’s going to be from Friday 26) and anytime for 3 days. I’ll miss the wine and nibblies that usually accompany these affairs, but intend to BMO.
TimeFrame Exhibition on Seesmichttp://www.christinielsen.com/html/events.htm